![]() |
|
![]() |
Artist:
Patrick Porter Release Title: Lisha Kill Catalogue Number: CAM071CD Format: CD Length: 13 tracks, 54:45 mins Release Date: 18 Mar 05 (US$15.00 shipped anywhere) |
| Denver,
Colorado singer-songwriter/multi-instrumentalist Patrick Porter (Phineas
Gage, solo CD "Reverb Saved My Life")
recorded "Lisha Kill" while on sabbatical in New York State.
Having set up with girlfriend in part of one of those East Coast
industrial town two-family houses made into flats, he discovered that the
downstairs neighbors didn't mind if he made a ruckus. So, prompted by the
loan of some rudimentary recording equipment, he started messing around
with guitars after a long period of abstinence. The new "Porter
Studio" was down the street from a Salvation Army depot and every
Sunday folks would illegally dump their junk in the parking lot. Picking
through the wreckage with a stick proved fruitful: all sorts of
instruments surfaced - Casios, mandolins, toy pianos, an accordion and the
Queen Mama of all finds, a working two-tiered Kimball organ. A new arsenal
of instruments was thus was incorporated into the new recordings, and as
Porter says: "I started getting interested in the idea of creating
something beautiful out of a bunch of stuff that people had thrown into
the bin". Once the aesthetic was established, Porter went to work, writing and recording songs on the fly, piling take after take into an amorphous, organically spreading quilt of sound elements which would eventually form into songs like "Window Seat" and the title track. Despite technical limitations, some complex pieces were attempted, like "Hospital", "Good People with Bad Credit" and the remarkable "Slow Torpedo". These "took a lot of time and killed three computers" says Patrick. "These sessions were like a womb, I just sat in a tiny corner crammed with instruments and made my fun", explains Porter. Real world sounds - sirens, grocery checkout squawks, someone doing the dishes - would occasionally intrude and get included. A hit and run death outside the house informed the mood of the song "Hospital". "End Badly" was recorded on the porch, first thing in the morning with the birds still chirping and morning traffic going by. "Lisha Kill" is a ghetto of stories like that; ghost whispers of AM, broken stuff, hidden junk drawers. The sounds of an old man bumbling around in the barn, enjoying loneliness but knowing he can't stay there. It's a loner's loose-woven fabric of deconstructed space folk, taking Porter beyond the footwear introspection of earlier recordings into a more experimental territory, both lyrically and sonically. Porter says: "These are my favorite recordings. I feel like "Lisha Kill" is my first album - like the other ones were pre-season football games or soccer friendlies. It's not perfect, but it's the first one that I feel came from the genuine, where I wasn't trying to pull the wool at all. So I have a soft spot for her. Now she finally gets tattooed with a bar code and sent out into the world to sit in the bins with the rest of 'em. Be kind to her, she's a fragile one". The title: "Lisha Kill" (pronounced "ly-sha") refers to a river near the town Schenectady where Patrick recorded this album. Go here for Lyrics |
|
| Other resources:
|
|
| Return
to Catalogue
All material in this web page is copyright 2005 Camera Obscura Records |
|